Bugis Street: transgender aspects

Bugis Street is a well known shopping thoroughfare in modern-day Singapore. From the 1950s to the mid-1980s, it was a gathering place for members of the male-to-female transgender community. Their presence attracted locals and tourists alike, making it one of Singapore's most well known and lucrative tourist attractions of that era.

=Historical=

Location
Bugis Street lies in an extensive area which was commonly referred to in the past, by the Chinese-educated community, as Xiao Po (小坡; little slope). The latter stretched all the way from Tanjong Pagar, through Singapore's Chinatown, to Jalan Sultan. The whole vicinity was thriving and crammed with merchants and traders, making it one of the most vibrant economic zones of old Singapore. 

Bugis Street runs perpendicular to and stretches from Victoria Street to North Bridge Road. The shopping lane currently known as New Bugis Street within the Bugis Village complex is a relatively recent entity which was formed after the redevelopment of the Bugis area in the mid-1980s. New Bugis Street is actually the renamed terminal portion of the very long, original Albert Street which ran from Queen Street all the way to Victoria Street.

Origin of name
The home of the Bugis people is Macassar, the capital of Indonesia's South Sulawesi province on the island of Sulawesi (formerly known as Celebes). The Bugis or Buginese, who were renowned for their seafaring skills, played an important part in the political development of the Malay Peninsula in the 18th century. The Bugis were also great warriors and this enabled them to extend their political influence to Kedah and Perak and establish a Bugis sultanate in Selangor. Unfortunately, they also put their sailing prowess to less benign uses and gained a reputation in the region for being a race of bloodthirsty pirates.

Soon after the founding of Singapore in 1819, Bugis traders sailed up Singapore's southern waterways, moored their boats and traded with local merchants. By 1820, the distinctive Bugis schooners called pallari were a familiar sight along the Kallang River.

At first, the Bugis intermingled with the aboriginal Orang Laut who had long established settlements along the swampy area of the Kallang River. These Orang Kallang (also called the Orang Biduanda Kallang) lived on boats and sustained a subsistence living by fishing and collecting other materials from the nearby forests. After 1819, the Orang Kallang were relocated by Temenggong Abdul Rahman to the northern Singapore Straits at Sungai Pulau. Tragically, in 1848 the Orang Kallang were wiped out by a smallpox epidemic.

Kampong Bugis
In 1822, about 500 Bugis with their chief, Arong Bilawa, fled from Macassar to Singapore to settle down in the fledgeling British colony. Stamford Raffles, in his master plan for the settlement, allotted the Bugis the land between Kampong Glam and the Rochor River. This area, on the right bank of the river and originally occupied by the Orang Laut, was logically named Kampong Bugis. The settlement later expanded to the north and left banks of the Rochor River as well as the banks of the Kallang River.

In modern day Singapore, "Kampong Bugis" no longer refers to a kampung (Malay hamlet or village in a Malay-speaking country) but is the name of a quiet lane on the left bank of the Rochor River which leads to Kallang Riverside Park. It is home to a scattering of factory buildings, a Hindu temple, a park and a hipster café frequented by teenagers. Up to the late 1990s, an unmistakeable landmark, the cylindrical metal stucture of the old Kallang Gas Works was situated right next to it.

During the Japanese Occupation from 1942 to 1945, a number of Bugis were resettled in Pontian, Johore and others moved out to Beach Road and Arab Street. Today the Bugis have been assimilated into the Malay community, with most living in HDB flats.    It was these people after whom Bugis Street was named. Despite the recognition of 5 distinct genders within Bugis culture, including the non-heteronormative bissu, calabai and calalai, the road was not named after the Buginese for this reason. However, it is possible that transgender Singaporeans with a knowledge of this aspect of Bugis society first decided to congregate there in the 1950s because of this association.

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 * Watch a video segment in Chinese on the history of Bugis Street, excerpted from a documentary produced by Channel 8 in June 2006:

Alternative names
During the early colonial era, there also used to be low mounds of whitish sand in the area, earning the street the familiar Hokkien moniker of Peh Soa Pu or Bai Sha Fu in Mandarin (白沙浮; white sand mounds). The Cantonese, however, referred to the street as Hak Gaai or Hei Jie in Mandarin (黑街; black street) as there were many clubs catering to the Japanese invaders in the 1940s. During the first half of the 20th century, commuters could conveniently travel from Bugis Street to anywhere else in Xiao Po via a tram service which ran along North Bridge Road, which was referred to by the Chinese-educated as Xiao Po Da Ma Lu (小坡大马路; little slope main road).

Activities
Before World War II, Bugis Street was a more conventional, non-transgender red light district lined with Chinese and Japanese brothels. Noel Coward, in his short story, "Pretty Polly Barlow", described the Bugis Street of the 1930s:

“Every nationality in the world seemed to be represented in the endless procession of tightly packed humanity shuffling slowly along.” Then he refers disparagingly to the “ubiquitous whores, none of whom were young or even remotely attractive”.

After the war, hawkers gathered there to sell food and sundry goods. There was initially also a small number of outdoor bars set up beside rat-infested drains.



The earliest published description of Bugis Street found by Yawning Bread as a place of great gender diversity was in the book "Eastern Windows" by Francis Downes Ommaney (1960. London:Longmans. pp. 39-45),. Ommaney did not date specifically his description of the street but his book made clear that he was in Singapore from 1955 to 1960. Another first-person account of Bugis Street in the 1950s by Bob, a visiting gay Australian sailor currently residing in Brisbane describes that each bar arranged its tables outside its premises but the usage seemed almost communal and tables and chairs were rearranged many times in the course of an evening. He did not know how the various bar owners and employees kept track of whose customers were whose but it all seemed to work somehow. The overwhelming impression was that an overall good humour, even bonhomie, prevailed. There were disputes, both between the service staff of the various bars and within each bar itself but an all-out brawl was rare. More serious were occasional quarrels between the biological girls and the cross-dressers as to who owned which patch or which serviceman. The transwomen were in the minority but were nonetheless aggressive in promoting their wares and protecting their turf. They definitely had the edge in repartees. Policing was done by locals under European direction, and seemed to have a light hand unless a brawl, threatening property damage, started in which case the police and the shore patrol/MPs rushed there in force.

When transgender women or trans women, formerly derogatorily but popularly referred to as transvestites, began to rendezvous in the area in the 1950s, they attracted increasing numbers of Western tourists who came for the booze, the food, the pasar malam shopping and the "girls". Business boomed and Bugis Street became an extremely lively and bustling area, forming the heart of Xiao Po. It was one of Singapore's most famous tourist meccas from the 1950s to the 1980s, renowned internationally for its nightly parade of flamboyantly-dressed transwomen and attracted hordes of Caucasian gawkers who had never before witnessed Asian "queens" in full regalia.

Drinking section
Veterans recall that the notorious drinking section with its glittering activity only took place in Bugis Street proper, stretching from Victoria Street to North Bridge Road, which today is completely engulfed by the Bugis Junction complex. New Bugis Street, despite having a similar name and  the current presence of a shimmering, touristy sign at both entrances reading only "Bugis Street") was actually the terminal portion of Albert Street and did not have as much commercial activity such as food vendors and roadside stalls, although transwomen could be found there, mainly indulging in sex work (a more politically correct term to use nowadays than "prostitution").

Almost halfway along Bugis Street between Victoria Street and North Bridge Road, there was an intersecting lane called Malabar Street which ran parallel to the main roads, also lined with al fresco bars.

Sex work


In the well lit and bustling Bugis Street, cross-dressers would tease, cajole and sit on visitors' laps or pose for photographs for a fee.



Others would sashay up and down the street looking to hook half-drunk sailors, American GIs and other foreigners on R&R, for an hour of profitable intimacy. Not only would these clients get the thrill of sex with an exotic oriental, there would be the added spice of transgressing gender boundaries in a seamy hovel.

The transwoman sex workers of Bugis Street worked independently. They were not under the control of any pimps. Their clientele was almost exclusively Westerners whom they preferred as these foreigners could presumably afford to pay better than most locals and possessed the allure of coming from more advanced societies compared to the Singapore of that era.

Once their clients had indicated their interest in having sex, they would adjourn to private apartments or even rooms in landed property which some transgender sex workers were well off enough to afford, on account of their relatively lucrative occupation. The less economically privileged ones brought their tricks to one-room HDB flats which they shared with other transgender sex workers. This was to avoid the possibility of being cheated or beaten up by their clients.

There were no brothels located along Bugis Street itself or the adjoining lanes, as romantically depicted in the movie "Bugis Street" (see below).

Newspaper articles
The first detailed "exposé" of the sex work done by Bugis Street's transwomen was published by the evening tabloid of the day, the New Nation in a groundbreaking 4-part feature on Singapore's LGBT community entitled "They are different..." (See main article: Singapore's first newspaper articles on the LGBT community).

Excerpts:

"The transvestites who have become prostitutes frequent Bugis Street where they usually solicit after midnight and Johore Road, in foul-smelling, oppressive hovels, honeycombed with box-like cubicles big enough only for a double bed and standing space for one or two.

At these places, they ply their trade at prices ranging from $3 to $20 or more for a quick time, often fleecing European tourists or resident expatriates.

Their clients: Male homosexuals as well as men who also enjoy normal heterosexual relationships and do not regard themselves as homosexuals.

The Bugis Street homosexuals often cater for Europeans or tourists, and the Johore Road group for the locals.

Such male prostitutes find it extremely difficult to rent accommodation from decent, normal people, "So they stay in brothels, and pay exorbitant rents ($130 a month for an unfurnished cubicle 10 ft. square) and pay the gangsters $3 to $5 per day in 'protection money' and give the gangsters sexual pleasure too.

They also run the constant risk of being arrested by the police for soliciting or for picking pockets. I know that some of us sometimes steal from our customers, but can you blame us when we are desperate?"

Photographic documentation
Foreign photographers would sometimes pay the transwomen to take topless or nude photos of them. Some local photographers like See Mun Wah, who is in his eighties in the 2010s, also have an extensive collection of photos of the transwomen of that era, as well as of the sailors who were preparing for the "Dance of the Flaming Arseholes" (see below). See, who is a lifetime member of the Singapore Photographic Society, used to shoot with a Polaroid as well as SLR cameras and develop his own darkroom prints. He is a polite and well spoken elderly man with many stories to tell and who used to sell the photos for several decades at Sungei Road and also in his home, at prices ranging from 50 cents to $2 each.

Another photographer who has shot a large collection of photos of the transwomen of Bugis Street is KF Wong from Sarawak. However, these subjects do not form the main focus of the work of both Wong and See.

Surrounding areas
Sexual solicitation by transwomen also spilled out onto the adjoining lanes like Hylam Street, Malay Street and Malabar Street. The latter were dimly lit and had no drinking sections. Much less glamorous prostitution by older transwomen past their prime took place in the much seedier, no longer extant Johore Road located further away on the other side of Rochor Road, next to the Queen Street bus terminal which served as a landmark and was sporadically found all the way to Sungei Road. There were brothels located at Johore Road and more housed in the single-storey buildings around Sungei Road. The brothels of Sungei Road were set up much like those in the back alley of Desker Road today, but with a considerable proportion of transwoman sex workers as compared with the predominantly biological woman sex workers of Desker Road. Men, mainly working class local Chinese (there were very few South Asian foreign workers in Singapore from the 1950s to the 1980s), would mill around in large crowds outside the brothels whose doors were wide open to display the girls lounging around on sofas. One could enter the living room, chat with the girls and then, if interested, proceed to a bedroom in the unit for sex.  Gangsters ran protection rackets in this entire area as well as guarded the "girls" from harassment. They would not hesitate to beat up or even stab anyone who disturbed the transwomen excessively. Occasional police raids by the vice squad, who would momentarily detain transwomen as well as passers-by on-the-spot for their particulars to be recorded, were part and parcel of nightlife during that time.

Gender reassignment surgery
Prior to the 1970s, almost all transwomen at Bugis Street were cross-dressers and pre-operative transsexuals. Only those wealthy enough to travel to the West and afford exorbitant surgical fees could undergo a sex change. As Singaporean surgeons became more skillful, some like Prof. S Shan Ratnam were authorised to perform male-to-female sex reassignment surgery at Kandang Kerbau Hospital from 1971 onwards. However, before hopeful transsexuals-to-be could go under the knife, they first had to subject themselves to an exhaustive battery of tests and be given a clean psychological bill of health by chief academic psychiatrist Prof. Tsoi Wing Foo. Later, the more technically demanding female-to-male variety was also offered there and at Alexandra Hospital, performed by gynaecologists such as Dr. Ilancheran. A Gender Identity Clinic and Gender Reassignment Surgery Clinic were set up at the National University Hospital two decades later. In fact, for thirty years, Singapore was one of the world leaders in gender reassignment surgery. This gave a new lease of life to the many transsexuals who felt trapped in bodies of the wrong sex. Thus, Bugis Street started to become populated with a range of transgender people from cross-dressers to iatrogenic intersex individuals to fully transformed women.

Public toilet
There was a well patronised public toilet with a flat roof located at the intersection of a T-junction. A member of the Intelligence Corps in Singapore described the condition of the loo in the 1960s and early 1970s:

"The place stank to high heaven. When you urinated it went onto the floor. You had no choice but to walk in the urine. The stench of ammonia was unbelievable. If you wanted a crap, well that was even worse. You would have to put up one hand against the door to stop any Kai Tai's fom coming in while the other hand was over your nose to stop the smell of the crap already filling the bowl. If you were smart you had your own paper, if not, well...!"

There exist archival photos, complete with jubilant rooftop transwomen who were wont to give impromptu theatrical performances in drag on the flat toilet roof to the delight of the crowds and the occasional fury of the police. This toilet was immortalised in the movie, 'Bugis Street', which contained a scene in which visiting sailors stood in a row and mooned the passers-by below.

Cruising by non-cross-dressing gay men also took place in the male half of the loo. From the mid-20th century onwards, homosexual men who were ignorant of cruising areas patronised solely by men-who-have-sex-with-men would venture into Bugis Street in an attempt to look for other MSMs because of the confusion in that era between transwomen and gay men. This signature fallacy, held by many Singaporeans from the mainstream community even today, was astonishingly made despite months of research by the investigative reporters behind Singapore's first newspaper articles on the LGBT community published in 1972 which lumped gay men together with transgender women into the same category.

Location
The location of the infamous public toilet has been speculated on and researched by Icemoon in the blog "Second Shot" on Blogspot and later greatly expanded on by Toh Hun Ping in his [Wordpress]] blog article, "'Round About Midnight, Bugis Street."

After much deliberation over the available evidence, Icemoon and Toh conclude that it lay at the junction of Bugis Street and Malabar Street (the portion leading towards Rochor Road).

Today the site of the toilet is occupied by the open space in front of the ticketing counter at Bugis Junction.

Dance of the Flaming Arseholes
One of the "hallowed traditions" bestowed upon the area by sojourning sailors, eg. from Australia and New Zealand, was the ritualistic "Dance Of The Flamers" or "Dance Of The Flaming Arseholes" on the roof of the infamous toilet. Compatriots on the ground would chant the signature "Haul 'em down, you Zulu Warrior" song for "musical accompaniment" whilst the matelots performed their act. The latter consisted of stuffing one end of a length of toilet or any rolled up piece of paper into the dancer's anus while the other end was set aflame (see videos of modern iterations:,,,,). 

Over the years this became almost a mandatory exercise and although it may seem to many to be a gross act of indecency, it was generally well received by the sometimes up to hundreds of tourists and locals. The Kai Tais or Beanie Boys, as the transwomen were referred to by Anglophone white visitors, certainly did not mind either. By the mid-70s Singapore started a crackdown on this type of lewd behaviour and sailors were arrested at gunpoint by the local authorities for upholding the tradition. By this time those sailors brave enough to try it were dealt with severely and even shipped home in disgrace. 



UK naval documents
In November 2002, newly declassified UK naval documents revealed that possibly 50% of its servicemen had indulged in homosexual sex at some time in their naval service life and many had visited brothels in Singapore's then legendary Bugis Street in the 1960s as soon as their ship docked. A document written by the navy's medical director general in 1969, described Singapore's transwoman prostitutes as "very beautiful" and who "dress well and smell delicious" He added, "They perfect the female walk, stance and mannerisms and some even undergo surgery to complete the illusion".



There was an adage amongst Westerners that one could easily tell who was a real female and who was not - the transvestites were drop-dead gorgeous, while the rest were real women. The amount of revenue that the transwomen of Bugis Street raked in was considerable, providing a booster shot in the arm for the tourism industry. Some Americans referred to it as "Boogie Street" following the resurgence in popularity of the word in the wake of the 1970s disco craze.



Urban redevelopment
From October 1985 onwards, Bugis Street underwent major urban redevelopment into a retail complex of modern shopping malls, restaurants and nightspots mixed with regulated back-alley roadside vendors. Underground digging to construct the Bugis MRT station prior to that also caused the upheaval and termination of nightly transgender sex bazaar culture, marking the end of a colourful and unique era in Singapore's history.



Attempts at transgender revival
Tourist and local lamentation of the loss sparked attempts by the Singapore Tourist Promotion Board (STPB) to attempt to recreate some of the old sleazy splendour by staging contrived "Ah Kua shows" on wooden platforms, but these artificial performances fell flat on their faces and failed to pull in the crowds. They were abandoned after a short time.

Books
All books on Singapore's transgender community inevitably mention Bugis Street in one way or another. The following are works which deal predominantly, if not exclusively, with the subject.

Bugis street blues: a sentimental guide to Singapore
A 24-page book by Barrington Kaye consisting of verses of poetry, published by D. Moore in 1955. It is available on Amazon.com as well as on microfilm at the Singapore National Library.

Singapore girl: A true story of sex, drugs and love on the wild side in 1970s Bugis Street
A novel by James Eckardt published by Monsoon Books in February 2010,.

Synopsis: "This is the true story of a long-vanished Singapore and the dangerous carnival known as Bugis Street.

After four years of romping around West Africa and the Brazilian Amazon, James Eckardt cut a raffish figure as he stepped off a sailboat at Clifford Pier in Singapore on March 30, 1975, en route from Manila to Jakarta. Little did he know that he would become enchanted by a fun-loving Singaporean nymph named Milly who would take him in hand to explore the exotic wonders of her city.

The fun would turn into hopeless love, one Eckardt would desperately chronicle in a 36-hour, drug-laced writing spree and entitle “Singapore Girl”. The yellowing carbon copy would sit in an envelope for thirty years as the author went on to become Thailand’s most famous expat writer. And then on December 19, 2004, an email arrived that would lead Eckardt to discover what had happened to the Singapore girl, who, at the time he had loved her, had not technically been female."

Read a review by J. Lundberg:. 

Pretty Polly
Pretty Polly, also known as "A Matter of Innocence", was a 1967 British film, directed by Guy Green and based on the short story, Pretty Polly Barlow, by Noël Coward. It starred Hayley Mills, Shashi Kapoor, Trevor Howard, and Brenda De Banzie. The film was largely set in Singapore and featured a night scene at Bugis Street, complete with transwomen soliciting and performing in an impromptu cabaret show, street vendors and a tic-tac-toe scam perpetrated by a little boy.


 * Read a detailed blog post about the film by Benjamin Slater and an amazing visual journey into the locations and the colonial mindset of Pretty Polly by Toh Hun Ping which traces exactly where the film was shot and how those places have evolved or been demolished over the years.

Saint Jack

 * Main article: Saint Jack

In 1979, Saint Jack, the first Hollywood movie to be filmed entirely on location in Singapore, contained a scene of a dazzling transwoman named Bridgit Ang, playing herself, in a platinum blonde Afro chatting up a table of Western expatriates at Bugis Street. Watch a video of the scene: ShfnaZwjwKw&list=UUhzyTJPkRO89UjOtlGYPdAw&oref 

Bugis Street (the movie)
Main article: Bugis Street (the movie)

 The transwomen of Bugis Street were immortalised in an English-language film made, ironically, by a Hong Kong and not a Singaporean film company. However, it did employ some local talent in the production.

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 * Watch the entire movie on YouTube:

Scenes in TV serials
One episode of the Mandarin TV serial entitled "当我们同在一起" (Dang wo men tong zai yi qi; translated by Channel 8 as "Together") broadcast in 2009 contained a scene set at Bugis Street which featured transwoman sex workers. ZKu91bfKBn4&list=UUhzyTJPkRO89UjOtlGYPdAw 

Photography exhibition and talks
From 3 February to 14 March 2014, an exhibition eponymously entitled, "Bugis Street", open to the public, was held by French photographer, Alain Soldeville at the gallery of Objectifs - Centre for Photography and Filmmaking, 56A Arab Street, tel. 6293 9782.

In the early 1980s, Soldeville came to Singapore, visited Bugis Street and started a photography project he did not specifically plan for. He started photographing the transgender community there and today, his photos, shot from 1981 to 1984, show a side of Singapore history that many may not be familiar with.

Taken mainly at night, the photos show the girls on the streets as well as in their apartments. Explaining the shots, Soldeville said, “Looking back, I believe I meant those photos to be portraits of these people I had come to consider friends, wishing to show their fragility, their humanity rather than documenting a situation, news style.”

On Wednesday, 3 December 2014, Soldeville gave an "Artist Talk" on his Bugis Street photography project at 7:30pm at Objectifs. Admission was free but pre-registration was required. Soldeville spoke about his project, his experiences and the process of creating this piece of history.

On Tuesday, 9 December 2014, Soldeville gave another talk on the subject during an event initiated and moderated by Zhuang Wubin and hosted by Marcel Heijnen called, "imag(in)e sea " held 7:30pm at Artistry, 17 Jalan Pinang. Special guests were Sean Lee and transwoman Amy Tashiana. As an interjection to Soldeville's talk, Lee introduced "Shauna" (2007-09), a performative piece in which he tried to imagine himself as a transgender character living between Siem Reap and Singapore.

Docu-drama
In mid-2014, Linda Agahari, researcher and producer at Ochre Pictures Pte Ltd, a Singapore-based film company sourced material on Bugis Street for a sequel to the film company's award-winning series, "There Was A Time", which aired in November 2013 on Mediacorp's Channel 5. It was a 6-part documentary-drama series that chronicled personal stories about Singapore's history. Some notable profiles featured in Season One included Othman Wok, Prof. Tommy Koh, Bill Teoh and Prof. Wang Gungwu.

For the second season, the company intended to focus on the development of Singapore as an independent nation from 1965-1985. Bugis street was one important aspect of the series as the producers aimed to highlight the changes in Singapore now and then, the many struggles of various communities, causes and consequences of government policies and most importantly, the human stories or personal recollection of certain experiences and events in the 1970s/80s era. An interview was arranged with a transwoman from SgButterfly who actually worked at Bugis Street during its heyday. The production of the docu-drama, which is intended to be aired on Channel 5 in a prime time slot, is currently in progress.

=Contemporary=

The fame of the original Bugis Street has spawned a slew of namesakes eager to capitalise on the brand, even though many tourists, including some young Singaporeans, have no inkling as to the reasons for its erstwhile 'glamour'.

Amongst the new places, buildings and companies which carry the name of 'Bugis' are New Bugis Street, Bugis Square, Bugis Village, Bugis Junction, Parco Bugis Junction, Bugis Junction Towers, Bugis Cineplex, Bugis MRT station, Bugis Pasar Malam, New Bugis Food Village, Bugis Music World, Bugis Money Changer, Bugis City Holdings, Bugis Health Centre, Bugis Store Trading, Bugis Backpackers, and Bugis Street Development.

This cacophony of 'Bugis'es clamouring for a spot in the limelight, reminiscent of the transwomen who gave the original its glory, leads to great confusion when trying to locate Bugis Street itself.

The current Bugis Street
The section of the original, longer Bugis Street presently named simply "Bugis Street" is a cobblestoned, relatively wide avenue sandwiched between the buildings of Bugis Junction. Midway through its length is the new entity of Bugis Square, a granite-tiled plaza containing a dancing fountain and surrounded by the food, shopping and entertainment outlets of the Bugis Junction complex on all sides.

This was where the touristy portion of Bugis Street with all the glamorous transgender activity and food vending took place.



New Bugis Street
The lane presently touted as 'Bugis Street' by the Singapore Tourist Promotion Board and advertised from August 2005 onwards with an enormous light bulb-studded sign at night, actually developed from New Bugis Street, which is a truncated version of the section of the original, longer Bugis Street from Queen Street to Victoria Street. New Bugis Street, which has the sign saying so only at the Victoria Street end, was created after the whole area was redeveloped in the mid-1980s. New Bugis Street is a maze of lanes lined with stalls selling pasar malam goods. It stretches from its entrance along Victoria Street facing the new Bugis Street and Bugis Junction to its other entrance along Queen Street facing the entrance to Albert Street.



Bugis Junction
Bugis Junction encloses the portion of the old Bugis Street where the flamboyant transwomen enthralled tourists, as well as the seedier Malabar Street, Hylam Street and Malay Street.



Bugis MRT station


=See also=


 * Transgender people in Singapore
 * Bugis Street (the movie)

=External links and References=

Dr. Heng also gave a talk based on his article during the inaugural IndigNation in 2005. View a video of the event recorded by Roy Tan: ZoD4YfiigBc 
 * Toh Hun Ping, article in Wordpress blog, "The Hunter: Location scouting in Singapore's filmic history", "‘Round About Midnight, Bugis Street.", 14 November 2013.
 * Roy Tan, "Photo Essay: A Brief History of Early Gay Venues in Singapore" in the book "Queer Singapore - Illiberal Citizenship and Mediated Cultures" edited by Audrey Yue and Jun Zubillaga-Pow, Hong Kong University Press, 2012. ISBN 978-988-8139-34-7,,,,,,.
 * Icemoon's article in his blog "Second Shot" on Blogspot, "Where exactly was the infamous toilet in Bugis Street", 3 July 2010.
 * Dr. Russell Heng's article on Yawning Bread, "Where queens ruled! - a history of gay venues in Singapore", August 2005.
 * Dr. Russell Heng's article archived on Yawning Bread, "Tiptoe out of the closet: the before and after of the increasingly visible gay community in Singapore", June 2001.. This paper was originally published in the Journal of Homosexuality Vol 40 Numbers 3/4 2001 Special Issue - Gay and Lesbian Asia: Culture, Identity and Community, edited by Gerard Sullivan and Peter Jackson, pp 81 – 97.
 * Yawning Bread's account of Singapore's transgender and sex-change history:
 * Thimbuktu's article in his blog "Blog To Express" on Blogspot, "3D Blog: Bugis Street (People) - Then", 29 December 2010.
 * Alain Soldeville's photos of Bugis Street in the early 1980s:. Soldeville held an exhibition of them in Singapore in 2014.
 * Zeesleepvaart.com, "Reis met de "Oostzee" deel 2 : The Bugis Street ".
 * Tourist guide to the Bugis area on Wikitravel:.

=Acknowledgements=

This article was written by Roy Tan based on his personal experiences, verbal accounts by friends and information on Yawning Bread, Fridae, SiGNeL and other Internet sources.